ShapeĪ second element of design is shape. There could be a line connecting the two objects, but there is not. Another implied line is that which is called a “psychic line.” These lines are almost imaginary lines.Īn example of this is when someone is looking in a specific direction or when someone is pointing at something. Depending on the difficulty of the page, you could sometimes tell what the image was supposed to be. Think of those “connect the dots” activities you did as a child. It must be noted however, that not all lines are “actual lines.” That is, not all lines actually exist. Curved lines also create movement and motion, but they do so in a different way.Īs you can see, lines can be quite expressive. Of the straight lines, diagonal lines are the liveliest. They are like bolts of lightning or people leaning forward, ready to burst forth into an explosion of movement. Because of this, vertical lines are much more energetic than their horizontal counterparts.Įven more dynamic than vertical lines are diagonal lines. Vertical lines are stalwart and aspiring, and so suggest much potential for action. A vertical line evokes images of skyscrapers or people standing upright and tall. As such, a horizontal line implies quiet or rest.Ī vertical line is much of what a horizontal line is not. For example, a horizontal line conjures up images of a still horizon or a person resting or lying down. The type of line or lines used should be carefully considered depending on the mood you want to convey. The nature of a line itself can be very evocative. A line can be straight or curved, thin or thick, expressive or controlled, delicate or bold. In design, we can be a bit more descriptive. We learn in geometry class that a line is what connects two points. Something as simple as a line can be very communicative.
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